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Writer's picturekurthabidash

Review of Samson's G-Track Pro


I have tested a number of USB microphones to determine which ones work best for different scenarios, not to mention different budgets. Here you'll find the best mics we've tested, along with a guide to their various uses. But before we get to that, let's talk a bit about microphones in general.


To start, you should know how most professional microphones function. In a typical recording studio scenario, a microphone is an analog piece of gear that sends a signal to a console or computer through an XLR cable (often through a mixer that can handle multiple microphones at once). The signal from the mic should be more or less pure, with EQ, dynamic compression, and reverb added later in production.


Digital mics that use USB cables are a totally different beast. The audio is processed and

digitized through the microphone itself instead of at the other end of the cable. Any editing you do at the computer is being done to a signal that has already been digitally processed, with the maximum sampling and bit rate dictated by the microphone. Each USB mic is essentially its own analog-to-digital converter (DAC), and often with its own gain knob built in (in the analog studio world, that gain knob is often on a different piece of gear entirely, usually referred to as a Mic Pre). USB mics also often have headphone jacks, which is another anomaly compared with the analog studio mic world.


The biggest differentiator between USB mics themselves is how they use digital signal processing (DSP). Some mics have it and use it subtly. Some mics avoid DSP completely and offer you the purest high-bitrate signal they can. And some mics not only employ DSP, but glob it on in thick coats that offer anything but a pure signal (and that can be fine, too, if it serves your intended purpose). Typically, most of the mics with heavy DSP are geared toward gamers, though that's not exclusively the case.


  • All-in-one professional USB microphone with audio interface

  • Ideal for podcasting, gaming/streaming and recording music

  • Dual 1" (25mm) condenser capsule

  • Cardioid (unidirectional), bidirectional and omnidirectional pickup patterns

  • Smooth, flat frequency response of 50Hz–20kHz

  • 24-bit, 96kHz resolution

  • USB output for connecting to any Mac or PC device

  • 1/4" instrument input for connecting guitars or line level devices

  • Record Mic and Instrument input simultaneously

  • 1/8" stereo headphone output with level control for zero-latency monitoring

  • 3-color Power/Clip/Mute LED

  • Plug-and-play, no driver installation required

  • Compatible with most computer-based digital audio workstation software

  • Die-cast zinc construction with heavy gauge mesh grille

  • Integrated desktop base

Specifications

  • Polar Pattern: Cardioid (unidirectional), bidirectional, omnidirectional

  • Capsule: Dual back electret condenser

  • Diaphragm Width/Thickness: 25mm/3 microns

  • Frequency Response: 50Hz–20kHz

  • Sensitivity: +6dB FS/PA (all polar patterns)

  • Max. SPL: 120dB SPL

  • Bit Depth: 16 or 24-bit

  • Sample Rate: Up to 96kHz

  • Digital Output: USB

  • Headphone Output: 1/8" (3.5mm)

  • Headphone Impedance: 16Ω

  • Headphone Power Output: 85mW @ 32Ω

  • Instrument Input: 1/4"

  • Instrument Input Impedance: 1MΩ

  • Controls: Mute, Mic/Instrument/Headphone Volume, Monitor On/Off, Mono/2 Track

  • Product Dimensions: 4.5" (116mm) x 10.5" (268.5mm) diameter

  • Product Weight: 3.52lb (1.6kg)


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